• Audio samples
I hope you enjoy these little sound bites, recorded by Anna for the Vocal Dog project. They are examples of just a few of the sounds dogs are able to make, and will hopefully help to illustrate the vocal repertoire of the domestic dog (see below). I will be adding more files as the project progresses -- if you wish to submit vocalisations, please follow this link for more information.
If possible, please right-click and "save as", in order to protect bandwidth.
• Disturbance Task
Rottweiler - growlbark
German Shepherd - bark & growl
Staffordshire terrier - growl
English Cocker Spaniel - growlbark
Cairn Terrier - bark
• Isolation Task
German Shepherd - whimper
Lurcher - whimper
Shar Pei - trill/whimper
English Cocker Spaniel - bark/whimper
Jack Russel Terrier - whine
4-month-old Labrador puppy - cry (very distinct puppy whines)
• Play Task
German Shephard X Siberian Husky - bark
Flat-Coated Retriever - growl
Border Collie - bark
Springer Spaniel - growlbark
Staffordshire Terrier - bark
Jack Russel Terrier - growl
• Other interesting vocalisations
Basset Hound - bark (vocalisation was given in a frustration situation - the dog was very scared of the experiementer, but was torn between hiding and approaching because the experimenter was holding her favourite treat)
Greyhound - growl-talking
Border Collie - sing-howling (very talented!)
Staffordshire Terrier - greeting whimper
Border Collie - yelp (in response to being accidentally stepped on by her owner during the recordings)
Cain Terrier - growl-talking
• The (very simplified) repertoire of the domestic dog
Please note that I'm well-aware that the dog's repertoire is more extended and more complex than what I've presented in the table below. This table is based on one of the only bioacoustic studies of dog vocalisations (by Dr Dorit Federsen-Petersen, see references), and is designed to provide an overview of the dog's vocal abilities. I think any dog owner will be aware that the range of these abilities is considerable - many variations and combinations have been observed ... and after all, the current lack of scientific knowledge is the whole reason we're doing this project!
| NAME |
TYPE* |
MOTIVATION |
| GROWL |
NOISY |
At low frequencies: warning or aggression (signalling
a motivation to increase the social distance). At higher frequencies:
play |
| HARMONIC |
Same as noisy growls |
|
| BARK |
NOISY |
Aggression (towards humans or other dogs) or rambunctuous
play |
| HARMONIC |
Relaxed social play |
|
| WHINE |
HARMONIC |
Fear or pain (and possibly boredom?) |
| WHIMPER |
HARMONIC |
Greeting humans or other dogs (signalling a motivation
to decrease the social distance) or care-solicitation (e.g when in isolation
to stimulate reunification with "pack" members) |
| HOWL |
HARMONIC |
Reunification with "pack" members (and
possibly to reinforce social bonds between "pack" members) |
*TYPE refers to the harmonic to noise ratio (HNR). For simplicity's sake, vocalisations have been labelled "noisy" when this ratio is low and "harmonic" when this ratio is high.
